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pogo2posterFINAL2The Last Pogo Jumps Again studies the evolution of Toronto from small town to big city and it’s pop/counter-culture lifestyle during the early and mid-70s.  It centers around the first wave of Toronto punk rock and new-wave music, from the Ramones playing the New Yorker Theatre in ’76 through the police shutting down Teenage Head and causing a riot at the Horseshoe Tavern’s infamous “The Last Pogo” concert in December 1978.

London had the Sex Pistols, New York had the Ramones, but Toronto had a punk movement all it’s own.  The Toronto landscape by the late ’70s was forever changed with the infusion of the DIY/Punk/Alternative Culture(s) movement.  Six years in the making, The Last Pogo Jumps Again successfully explores the whys and wherefores of what was arguably one of the most exciting but misunderstood movements in Toronto’s history.

The DVD contains the 204 minute documentary, plus over a 100 minutes of added material, and a snazzy 24-page booklet.  Check the Shop for details on where you can purchase it.

The Last Pogo (1978) is the documentary that chronicled the last punk rock show at the Horseshoe Tavern when it was run by legendary Toronto promoters The Garys (Topp and Cormier) featuring The Scenics, Cardboard Brains, The Secrets, The Mods, The Ugly, The Viletones and Teenage Head. The Last Pogo was released on DVD in 2008 to great reviews.  Available at the Shop.

The Last Pogo (1979; 25 minutes) and The Last Pogo Jumps Again (2013; 204 minutes)
THE LAST POGO (1979; 26 minutes) Produced and Directed by Colin Brunton and Patrick Lee; Edited by Patrick Lee Buy it on Vimeo for $9.95 CDN, or rent it for $3.73. From Dangerous Minds: “In 1978, Toronto (and some Hamilton) punks answered Scorsese’s The Last Waltz, a movie lousy with Canadians, by putting on their own star-studded farewell concert at the city’s Horseshoe Tavern.
Music to get beaten up by
Cover of the book by Maria Raha “Cinderella punks” is the phrase The Existers’ George Higton used to describe  the recent resurgence of first-wave punks.   We can only report what’s been going on in Toronto the past couple of years — new material by The Scenics and The Existers;  rereleases by Simply Saucer and The Mods;  old material redux by Teenage Head;  live recordings from 1977 by The Viletones ...
Hey, there’s a new dance down at the club, bub
As we were sharpening our pencils, jotting down ideas for our Easter Monday interview with The Scenics’ Ken Badger, the teletype here at Pogo H.Q. sent us a message from Andy Meyers, who forwarded the jpg you see above.  The Scenics’ dance hit that shoulda woulda coulda been — Do The Wait — is featured along with Simply Saucer’s Return of the Cyborgs Pt.
Alex Chilton R.I.P.
R.I.P. Alex  Chilton. The next issue of Englands Uncut magazine, with Iggy on the cover, features a CD giveaway of “proto-punk” bands and including “Do the Wait” by The Scenics and Cyborgs Part Two by Simply Saucer.   Meanwhile, over in San Francisco, the next issue of Maximum Rock ‘n’ Roll has an edited transcript of the interview Greg Dick did with Last Pogo director Colin Brunton last year on the U ...
All Touch
Today we talked with one half of Rough Trade, guitarist/writer Kevan Staples.  Kevan is one of many from the punk/new-wave scene in Toronto who ended up with careers in film and TV, currently a partner at Toronto post-sound house Rhythm Division, and composing scores for films and TV series.  In April we catch up with the Auntie Diva herself, Carole Pope.   (Yea, yea, yea, we know —  Rough Trade weren’t ...
Simply Saucer
1977
Courtesy Gail Wetton, Molten Core
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