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pogo2posterFINAL2The Last Pogo Jumps Again studies the evolution of Toronto from small town to big city and it’s pop/counter-culture lifestyle during the early and mid-70s.  It centers around the first wave of Toronto punk rock and new-wave music, from the Ramones playing the New Yorker Theatre in ’76 through the police shutting down Teenage Head and causing a riot at the Horseshoe Tavern’s infamous “The Last Pogo” concert in December 1978.

London had the Sex Pistols, New York had the Ramones, but Toronto had a punk movement all it’s own.  The Toronto landscape by the late ’70s was forever changed with the infusion of the DIY/Punk/Alternative Culture(s) movement.  Six years in the making, The Last Pogo Jumps Again successfully explores the whys and wherefores of what was arguably one of the most exciting but misunderstood movements in Toronto’s history.

The DVD contains the 204 minute documentary, plus over a 100 minutes of added material, and a snazzy 24-page booklet.  Check the Shop for details on where you can purchase it.

The Last Pogo (1978) is the documentary that chronicled the last punk rock show at the Horseshoe Tavern when it was run by legendary Toronto promoters The Garys (Topp and Cormier) featuring The Scenics, Cardboard Brains, The Secrets, The Mods, The Ugly, The Viletones and Teenage Head. The Last Pogo was released on DVD in 2008 to great reviews.  Available at the Shop.

The Tremblays: Battling Nazis and bad music since 1941.
Montreal artist & guitarist Rick Trembles created the font, comics, poster and T-shirts (on sale here!) for our movie The Last Pogo Jumps Again, and his father Jack Tremblay co-created Rick. Jack Tremblay was born in 1926 in Rhode Island.  The family moved to Thunder Bay (or Tunder Bay for those with a French-Canadian accent), and then finally settled in Montreal when Jack was eight.  ...
It takes a Tiny Village
Steven “Nazi Dog” Leckie of The Viletones points at food, circa ’78;  photo by Rodney Bowes. THE LAST POGO (1978)  There’s a cool review of The Last Pogo in the current edition of the nifty webzine Tiny Mix Tapes.   They peg it a “masterful disaster-piece” and give us a sort of back-handed compliment with:   “…it’s the quick runtime that blocks The Last Pogo from reaching the pinnacle of the ...
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