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pogo2posterFINAL2The Last Pogo Jumps Again studies the evolution of Toronto from small town to big city and it’s pop/counter-culture lifestyle during the early and mid-70s.  It centers around the first wave of Toronto punk rock and new-wave music, from the Ramones playing the New Yorker Theatre in ’76 through the police shutting down Teenage Head and causing a riot at the Horseshoe Tavern’s infamous “The Last Pogo” concert in December 1978.

London had the Sex Pistols, New York had the Ramones, but Toronto had a punk movement all it’s own.  The Toronto landscape by the late ’70s was forever changed with the infusion of the DIY/Punk/Alternative Culture(s) movement.  Six years in the making, The Last Pogo Jumps Again successfully explores the whys and wherefores of what was arguably one of the most exciting but misunderstood movements in Toronto’s history.

The DVD contains the 204 minute documentary, plus over a 100 minutes of added material, and a snazzy 24-page booklet.  Check the Shop for details on where you can purchase it.

The Last Pogo (1978) is the documentary that chronicled the last punk rock show at the Horseshoe Tavern when it was run by legendary Toronto promoters The Garys (Topp and Cormier) featuring The Scenics, Cardboard Brains, The Secrets, The Mods, The Ugly, The Viletones and Teenage Head. The Last Pogo was released on DVD in 2008 to great reviews.  Available at the Shop.

The Last Pogo (1979; 25 minutes) and The Last Pogo Jumps Again (2013; 204 minutes)
THE LAST POGO (1979; 26 minutes) Produced and Directed by Colin Brunton and Patrick Lee; Edited by Patrick Lee Buy it on Vimeo for $9.95 CDN, or rent it for $3.73. From Dangerous Minds: “In 1978, Toronto (and some Hamilton) punks answered Scorsese’s The Last Waltz, a movie lousy with Canadians, by putting on their own star-studded farewell concert at the city’s Horseshoe Tavern.
Sit on my Facebook
So, does that song sound familiar?  Yup, the iconic Viletones tune “Possibilities” as performed by Nirvana (i.e. that 90’s band that sounded like any number of bands back in the late seventies.  But I guess we can’t diss Kurt too much if he had such good taste.)   The Diodes’ John Catto found this on his Internet machine, and turned us on to it via Facebook.    Peter Noble chimed ...
“I use words and I don’t know what they mean.”
Lance Charles channels the spirit of Groucho Marx. We dialed up the Wayback machine to 1973, and in front of the decaying Roxy Theatre, at Greenwood and Danforth, just 246 giant steps from the Greenwood subway station in Toronto,  The Last Pogo Jumps Again directors Brunton and Paputts, along with new Pogo crew member Joe Krumins spent some time with David “Lance Charles” Glincman. For those of you who remember The Original ...
And in the beginning there was the Original 99 Cent Roxy…
Photo courtesy Cheryl Daniels And the Lord of Rock ‘n Roll said unto them: Yea, though it would be another few years before one or six people claimed to coin the term “punk rock”, a lot of people who were at The Last Pogo or into the original punk scene in Toronto got a lot of their counter-culture edjamucation at The Original 99 Cent Roxy theatre courtesy of Gary ...
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